{"id":761,"date":"2020-07-04T15:45:29","date_gmt":"2020-07-04T15:45:29","guid":{"rendered":"https:\/\/musicaeconoscenza.it\/newp\/?page_id=761"},"modified":"2020-07-28T13:02:17","modified_gmt":"2020-07-28T13:02:17","slug":"second-time-comparision","status":"publish","type":"page","link":"https:\/\/musicaeconoscenza.it\/newp\/index.php\/english-books\/anton-dvoraks-farewell\/second-time-comparision\/","title":{"rendered":"Second Time Comparison"},"content":{"rendered":"\n<p>On this page it is possible to compare the two versions, while observing the score of the cello part.<\/p>\n\n\n<div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;padding-top: 90%\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fmusicaeconoscenza.it%2Fnewp%2Fwp-content%2Fuploads%2Fpdf%2FDvorak_Parte_Cello_2.pdf&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 100%;height: 100%;border: none;position: absolute;left: 0;top: 0;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading&#8230;<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<p>\n\t\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/pdf\/Dvorak_Parte_Cello_2.pdf\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Analisi<\/strong> <strong>delle due interpretazioni<\/strong><\/p>\n\n\n<div id=\"pl-gb761-69ecc2d648b61\"  class=\"panel-layout\" ><div id=\"pg-gb761-69ecc2d648b61-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb761-69ecc2d648b61-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-0-0-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"0\" >\t\t\t<div class=\"textwidget\"><p>Walewska&#8217;s entry (bar 8) is sad and subdued, the follow up dreamy and heart rending (bars 16-24), the recollection intense (bars 25-27), the climax dramatic (bar 28) and the following gentleness archetypes up to bar 35 yearning.<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><div id=\"pg-gb761-69ecc2d648b61-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb761-69ecc2d648b61-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-1-0-0\" class=\"so-panel widget widget_media_audio panel-first-child\" data-index=\"1\" ><h3 class=\"widget-title\">Walewska &#8211; Measure 8 et seq.<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-761-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W13.mp3?_=1\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W13.mp3?_=1\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W13.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W13.mp3<\/a><\/audio><\/div><div id=\"panel-gb761-69ecc2d648b61-1-0-1\" class=\"so-panel widget widget_media_audio panel-last-child\" data-index=\"2\" ><h3 class=\"widget-title\">Walewska &#8211; Measures 25 &#8211; 27<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-761-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W15.mp3?_=2\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W15.mp3?_=2\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W15.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W15.mp3<\/a><\/audio><\/div><\/div><div id=\"pgc-gb761-69ecc2d648b61-1-1\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-1-1-0\" class=\"so-panel widget widget_media_audio panel-first-child\" data-index=\"3\" ><h3 class=\"widget-title\">Walewska &#8211; Measures 16 -24<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-761-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W14.mp3?_=3\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W14.mp3?_=3\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W14.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W14.mp3<\/a><\/audio><\/div><div id=\"panel-gb761-69ecc2d648b61-1-1-1\" class=\"so-panel widget widget_media_audio panel-last-child\" data-index=\"4\" ><h3 class=\"widget-title\">Walewska &#8211; Measures 28 &#8211; 35<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-761-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W16.mp3?_=4\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W16.mp3?_=4\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W16.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W16.mp3<\/a><\/audio><\/div><\/div><\/div><div id=\"pg-gb761-69ecc2d648b61-2\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb761-69ecc2d648b61-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-2-0-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"5\" >\t\t\t<div class=\"textwidget\"><p>Rostropovi\u010d is more objective, though there is great respect for the events narrated and this prevents him from sharing the profound feeling expressed at bar 28 and forces him to slow down the archetypes at bars 29-33 unnaturally.<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><div id=\"pg-gb761-69ecc2d648b61-3\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb761-69ecc2d648b61-3-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-3-0-0\" class=\"so-panel widget widget_media_audio panel-first-child\" data-index=\"6\" ><h3 class=\"widget-title\">Rostropovi\u010d &#8211; Measure 8 et seq.<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-761-5\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R13.mp3?_=5\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R13.mp3?_=5\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R13.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R13.mp3<\/a><\/audio><\/div><div id=\"panel-gb761-69ecc2d648b61-3-0-1\" class=\"so-panel widget widget_media_audio panel-last-child\" data-index=\"7\" ><h3 class=\"widget-title\">Rostropovi\u010d &#8211; Measures 25 &#8211; 27<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-761-6\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R15.mp3?_=6\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R15.mp3?_=6\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R15.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R15.mp3<\/a><\/audio><\/div><\/div><div id=\"pgc-gb761-69ecc2d648b61-3-1\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-3-1-0\" class=\"so-panel widget widget_media_audio panel-first-child\" data-index=\"8\" ><h3 class=\"widget-title\">Rostropovi\u010d &#8211; Measures 16 -24<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-761-7\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R14.mp3?_=7\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R14.mp3?_=7\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R14.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R14.mp3<\/a><\/audio><\/div><div id=\"panel-gb761-69ecc2d648b61-3-1-1\" class=\"so-panel widget widget_media_audio panel-last-child\" data-index=\"9\" ><h3 class=\"widget-title\">Rostropovi\u010d &#8211; Measures 28 &#8211; 35<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-761-8\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R16.mp3?_=8\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R16.mp3?_=8\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R16.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R16.mp3<\/a><\/audio><\/div><\/div><\/div><div id=\"pg-gb761-69ecc2d648b61-4\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb761-69ecc2d648b61-4-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-4-0-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"10\" >\t\t\t<div class=\"textwidget\"><p>The cello&#8217;s entry from bars 42 to 57 reveals a cautious, subdued, who is unable, even in the gentleness archetypes (all too feebly played) in bars 61-64, to communicate something of that &#8220;molto appassionato&#8221; written by Dvorak over these bars.<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><div id=\"pg-gb761-69ecc2d648b61-5\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb761-69ecc2d648b61-5-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-5-0-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"11\" ><h3 class=\"widget-title\">Rostropovi\u010d &#8211; Measures 48 &#8211; 57<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-761-9\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R17.mp3?_=9\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R17.mp3?_=9\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R17.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R17.mp3<\/a><\/audio><\/div><\/div><div id=\"pgc-gb761-69ecc2d648b61-5-1\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-5-1-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"12\" ><h3 class=\"widget-title\">Rostropovi\u010d &#8211; Measures 61 &#8211; 64<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-761-10\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R18.mp3?_=10\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R18.mp3?_=10\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R18.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R18.mp3<\/a><\/audio><\/div><\/div><\/div><div id=\"pg-gb761-69ecc2d648b61-6\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb761-69ecc2d648b61-6-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-6-0-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"13\" >\t\t\t<div class=\"textwidget\"><p>W is quite different. She observes the composer&#8217;s annotations, without exaggerating.<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><div id=\"pg-gb761-69ecc2d648b61-7\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb761-69ecc2d648b61-7-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-7-0-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"14\" ><h3 class=\"widget-title\">Walewska &#8211; Measures 42 &#8211; 57<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-761-11\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W17.mp3?_=11\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W17.mp3?_=11\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W17.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W17.mp3<\/a><\/audio><\/div><\/div><div id=\"pgc-gb761-69ecc2d648b61-7-1\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-7-1-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"15\" ><h3 class=\"widget-title\">Walewska &#8211; Measures 61 &#8211; 64<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-761-12\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W18.mp3?_=12\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W18.mp3?_=12\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W18.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W18.mp3<\/a><\/audio><\/div><\/div><\/div><div id=\"pg-gb761-69ecc2d648b61-8\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb761-69ecc2d648b61-8-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-8-0-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"16\" >\t\t\t<div class=\"textwidget\"><p>No comment is needed on both artists&#8217; impeccable performances of the comment variations in bars 69-75, or the entry at bar 76, which is gentler with R, more vibrant with W.<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><div id=\"pg-gb761-69ecc2d648b61-9\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb761-69ecc2d648b61-9-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-9-0-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"17\" ><h3 class=\"widget-title\">Walewska &#8211; Measures 69 &#8211; 76<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-761-13\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W19.mp3?_=13\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W19.mp3?_=13\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W19.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W19.mp3<\/a><\/audio><\/div><\/div><div id=\"pgc-gb761-69ecc2d648b61-9-1\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-9-1-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"18\" ><h3 class=\"widget-title\">Rostropovi\u010d &#8211; Measures 69 &#8211; 76<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-761-14\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R19.mp3?_=14\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R19.mp3?_=14\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R19.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R19.mp3<\/a><\/audio><\/div><\/div><\/div><div id=\"pg-gb761-69ecc2d648b61-10\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb761-69ecc2d648b61-10-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-10-0-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"19\" >\t\t\t<div class=\"textwidget\"><p>When, for the third and last time the sad gentleness archetypes turn into a soliloquy (bars 87-95), even R plays almost passionately, in a somewhat overbearing manner, a kind of retreat into the mind. W, on the other hand, lets the heart strings sing out, and the theme takes on a dramatic character, a last stand.<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><div id=\"pg-gb761-69ecc2d648b61-11\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb761-69ecc2d648b61-11-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-11-0-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"20\" ><h3 class=\"widget-title\">Walewska &#8211; Measures 87 &#8211; 95<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-761-15\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W20.mp3?_=15\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W20.mp3?_=15\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W20.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W20.mp3<\/a><\/audio><\/div><\/div><div id=\"pgc-gb761-69ecc2d648b61-11-1\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-11-1-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"21\" ><h3 class=\"widget-title\">Rostropovi\u010d &#8211; Measures 87 &#8211; 95<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-761-16\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R20.mp3?_=16\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R20.mp3?_=16\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R20.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R20.mp3<\/a><\/audio><\/div><\/div><\/div><div id=\"pg-gb761-69ecc2d648b61-12\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb761-69ecc2d648b61-12-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-12-0-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"22\" >\t\t\t<div class=\"textwidget\"><p>At bar 107 we have a cadenza, which is cheerful, noble and external in (R); heart rending, self searching and internal in (W).<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><div id=\"pg-gb761-69ecc2d648b61-13\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb761-69ecc2d648b61-13-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-13-0-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"23\" ><h3 class=\"widget-title\">Walewska &#8211; Cadenza<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-761-17\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W21.mp3?_=17\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W21.mp3?_=17\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W21.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W21.mp3<\/a><\/audio><\/div><\/div><div id=\"pgc-gb761-69ecc2d648b61-13-1\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-13-1-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"24\" ><h3 class=\"widget-title\">Rostropovi\u010d &#8211; Cadenza<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-761-18\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R21.mp3?_=18\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R21.mp3?_=18\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R21.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R21.mp3<\/a><\/audio><\/div><\/div><\/div><div id=\"pg-gb761-69ecc2d648b61-14\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb761-69ecc2d648b61-14-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-14-0-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"25\" >\t\t\t<div class=\"textwidget\"><p>The subsequent dialogue with the orchestra (bars 129-134) sees a parallel calm, more concrete in (R), who does not accept the dreamy character found in W at bars 135-144.<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><div id=\"pg-gb761-69ecc2d648b61-15\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb761-69ecc2d648b61-15-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-15-0-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"26\" ><h3 class=\"widget-title\">Walewska &#8211; Measures 129 &#8211; 144<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-761-19\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W22.mp3?_=19\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W22.mp3?_=19\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W22.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W22.mp3<\/a><\/audio><\/div><\/div><div id=\"pgc-gb761-69ecc2d648b61-15-1\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-15-1-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"27\" ><h3 class=\"widget-title\">Rostropovi\u010d &#8211; Measures 129 &#8211; 144<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-761-20\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R22.mp3?_=20\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R22.mp3?_=20\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R22.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R22.mp3<\/a><\/audio><\/div><\/div><\/div><div id=\"pg-gb761-69ecc2d648b61-16\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb761-69ecc2d648b61-16-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-16-0-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"28\" >\t\t\t<div class=\"textwidget\"><p>Come pure, dopo la breve cadenza delle u003cemu003ebattute 146-148,u003c\/emu003e avviandoci verso la fine, mentre in\u00a0Walewska si avverte chiaramente il senso di liberazione e il presagio di commiato, in\u00a0Rostropovi\u010d \u00e8 tutto rallentato e compitato, quasi cristallizzato, come se si andasse serenamente verso il u0022nullau0022.<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><div id=\"pg-gb761-69ecc2d648b61-17\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb761-69ecc2d648b61-17-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-17-0-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"29\" ><h3 class=\"widget-title\">Walewska &#8211; Finale<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-761-21\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W23.mp3?_=21\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W23.mp3?_=21\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W23.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W23.mp3<\/a><\/audio><\/div><\/div><div id=\"pgc-gb761-69ecc2d648b61-17-1\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-17-1-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"30\" ><h3 class=\"widget-title\">Rostropovi\u010d &#8211; Finale<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-761-22\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R23.mp3?_=22\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R23.mp3?_=22\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R23.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R23.mp3<\/a><\/audio><\/div><\/div><\/div><div id=\"pg-gb761-69ecc2d648b61-18\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb761-69ecc2d648b61-18-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-18-0-0\" class=\"widget_text so-panel widget widget_custom_html panel-first-child panel-last-child\" data-index=\"31\" ><div class=\"textwidget custom-html-widget\"><hr\/><\/div><\/div><\/div><\/div><div id=\"pg-gb761-69ecc2d648b61-19\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb761-69ecc2d648b61-19-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-19-0-0\" class=\"so-panel widget widget_sow-button panel-first-child panel-last-child\" data-index=\"32\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-atom-857739567c6a-761\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-center\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/musicaeconoscenza.it\/newp\/index.php\/english-books\/anton-dvoraks-farewell\/first-time-comparison\/\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-left ow-button-hover\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-far\" data-sow-icon=\"&#xf359;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tFirst Time Comparision\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div><\/div><\/div><div id=\"pgc-gb761-69ecc2d648b61-19-1\"  class=\"panel-grid-cell\" ><div id=\"panel-gb761-69ecc2d648b61-19-1-0\" class=\"so-panel widget widget_sow-button panel-first-child panel-last-child\" data-index=\"33\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-atom-857739567c6a-761\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-center\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/musicaeconoscenza.it\/newp\/index.php\/english-books\/anton-dvoraks-farewell\/third-time-comparison\/\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-far\" data-sow-icon=\"&#xf35a;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tThird Time Comparison\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>On this page it is possible to compare the two versions, while observing the score of the cello part. Analisi delle due interpretazioni<\/p>\n<div class=\"link-more\"><a href=\"https:\/\/musicaeconoscenza.it\/newp\/index.php\/english-books\/anton-dvoraks-farewell\/second-time-comparision\/#more-761\" class=\"more-link\">Continue reading &#10142; <span class=\"screen-reader-text\">Second Time Comparison<\/span><\/a><\/div>","protected":false},"author":1,"featured_media":0,"parent":707,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-761","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/musicaeconoscenza.it\/newp\/index.php\/wp-json\/wp\/v2\/pages\/761","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicaeconoscenza.it\/newp\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/musicaeconoscenza.it\/newp\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/musicaeconoscenza.it\/newp\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musicaeconoscenza.it\/newp\/index.php\/wp-json\/wp\/v2\/comments?post=761"}],"version-history":[{"count":9,"href":"https:\/\/musicaeconoscenza.it\/newp\/index.php\/wp-json\/wp\/v2\/pages\/761\/revisions"}],"predecessor-version":[{"id":938,"href":"https:\/\/musicaeconoscenza.it\/newp\/index.php\/wp-json\/wp\/v2\/pages\/761\/revisions\/938"}],"up":[{"embeddable":true,"href":"https:\/\/musicaeconoscenza.it\/newp\/index.php\/wp-json\/wp\/v2\/pages\/707"}],"wp:attachment":[{"href":"https:\/\/musicaeconoscenza.it\/newp\/index.php\/wp-json\/wp\/v2\/media?parent=761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}