{"id":292,"date":"2020-04-25T09:28:00","date_gmt":"2020-04-25T09:28:00","guid":{"rendered":"https:\/\/musicaeconoscenza.it\/newp\/?page_id=292"},"modified":"2020-06-24T09:20:25","modified_gmt":"2020-06-24T09:20:25","slug":"analisi-del-secondo-tempo","status":"publish","type":"page","link":"https:\/\/musicaeconoscenza.it\/newp\/index.php\/il-commiato-di-anton-dvorak\/analisi-del-secondo-tempo\/","title":{"rendered":"Ascolto comparato 2\u00b0 tempo"},"content":{"rendered":"\n<p>In questa pagina \u00e8 possibile comparare le due versioni, osservando allo stesso tempo lo spartito della parte del violoncello<\/p>\n\n\n<div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;padding-top: 90%\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fmusicaeconoscenza.it%2Fnewp%2Fwp-content%2Fuploads%2Fpdf%2FDvorak_Parte_Cello_2.pdf&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 100%;height: 100%;border: none;position: absolute;left: 0;top: 0;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading&#8230;<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<p>\n\t\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/pdf\/Dvorak_Parte_Cello_2.pdf\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Analisi<\/strong> <strong>delle due interpretazioni<\/strong><\/p>\n\n\n<div id=\"pl-gb292-69d67996b0446\"  class=\"panel-layout\" ><div id=\"pg-gb292-69d67996b0446-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb292-69d67996b0446-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-0-0-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"0\" >\t\t\t<div class=\"textwidget\"><p>Nella Walewska, dimesso e triste l&#8217;attacco <em>(battuta 8);<\/em>\u00a0accorato e sognante il prosieguo <em>(battute 16 &#8211; 24),<\/em> intensa la rievocazione <em>(battute 25 &#8211; 27),<\/em> drammatico l&#8217;acme di <em>battuta 28,<\/em> struggenti gli archetipi di dolcezza seguenti, fino a<em> battuta 35.<\/em><\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><div id=\"pg-gb292-69d67996b0446-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb292-69d67996b0446-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-1-0-0\" class=\"so-panel widget widget_media_audio panel-first-child\" data-index=\"1\" ><h3 class=\"widget-title\">Walewska &#8211; Battuta 8 e seguenti<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-292-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W13.mp3?_=1\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W13.mp3?_=1\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W13.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W13.mp3<\/a><\/audio><\/div><div id=\"panel-gb292-69d67996b0446-1-0-1\" class=\"so-panel widget widget_media_audio panel-last-child\" data-index=\"2\" ><h3 class=\"widget-title\">Walewska &#8211; Battute 25 &#8211; 27<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-292-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W15.mp3?_=2\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W15.mp3?_=2\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W15.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W15.mp3<\/a><\/audio><\/div><\/div><div id=\"pgc-gb292-69d67996b0446-1-1\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-1-1-0\" class=\"so-panel widget widget_media_audio panel-first-child\" data-index=\"3\" ><h3 class=\"widget-title\">Walewska &#8211; Battute 16 -24<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-292-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W14.mp3?_=3\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W14.mp3?_=3\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W14.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W14.mp3<\/a><\/audio><\/div><div id=\"panel-gb292-69d67996b0446-1-1-1\" class=\"so-panel widget widget_media_audio panel-last-child\" data-index=\"4\" ><h3 class=\"widget-title\">Walewska &#8211; Battute 28 &#8211; 35<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-292-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W16.mp3?_=4\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W16.mp3?_=4\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W16.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W16.mp3<\/a><\/audio><\/div><\/div><\/div><div id=\"pg-gb292-69d67996b0446-2\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb292-69d67996b0446-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-2-0-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"5\" >\t\t\t<div class=\"textwidget\"><p>In Rostropovi\u010d tutto \u00e8 pi\u00f9 distaccato <em>(battuta 8 e seguenti)<\/em> anche se c&#8217;\u00e8 come un grande rispetto per l&#8217;evento narrato<em> (battute 16 -24),<\/em> che gli impedisce di partecipare in prima persona alla profonda emozione di <em>battuta 28<\/em>, e lo costringe ad un innaturale rallentamento degli archetipi delle <em>battute 29 -33.<\/em><\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><div id=\"pg-gb292-69d67996b0446-3\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb292-69d67996b0446-3-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-3-0-0\" class=\"so-panel widget widget_media_audio panel-first-child\" data-index=\"6\" ><h3 class=\"widget-title\">Rostropovi\u010d &#8211; Battute 8 e seguenti<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-292-5\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R13.mp3?_=5\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R13.mp3?_=5\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R13.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R13.mp3<\/a><\/audio><\/div><div id=\"panel-gb292-69d67996b0446-3-0-1\" class=\"so-panel widget widget_media_audio panel-last-child\" data-index=\"7\" ><h3 class=\"widget-title\">Rostropovi\u010d &#8211; Battute 25 &#8211; 27<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-292-6\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R15.mp3?_=6\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R15.mp3?_=6\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R15.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R15.mp3<\/a><\/audio><\/div><\/div><div id=\"pgc-gb292-69d67996b0446-3-1\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-3-1-0\" class=\"so-panel widget widget_media_audio panel-first-child\" data-index=\"8\" ><h3 class=\"widget-title\">Rostropovi\u010d &#8211; Battute 16 -24<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-292-7\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R14.mp3?_=7\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R14.mp3?_=7\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R14.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R14.mp3<\/a><\/audio><\/div><div id=\"panel-gb292-69d67996b0446-3-1-1\" class=\"so-panel widget widget_media_audio panel-last-child\" data-index=\"9\" ><h3 class=\"widget-title\">Rostropovi\u010d &#8211; Battute 28 &#8211; 35<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-292-8\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R16.mp3?_=8\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R16.mp3?_=8\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R16.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R16.mp3<\/a><\/audio><\/div><\/div><\/div><div id=\"pg-gb292-69d67996b0446-4\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb292-69d67996b0446-4-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-4-0-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"10\" >\t\t\t<div class=\"textwidget\"><p>La ripresa, dalla <em>battuta 42 alla 57,<\/em> vede un Rostropovi\u010d guardingo e dalle emozioni controllate, che neppure negli archetipi di dolcezza (eccessivamente strascicati, come &#8220;snervati&#8221;), delle <em>battute 61 &#8211; 64,<\/em> riesce ad comunicarci qualcosa di quel &#8220;molto appassionato&#8221; scritto di pugno da Dvor\u00e0k su tali battute.<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><div id=\"pg-gb292-69d67996b0446-5\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb292-69d67996b0446-5-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-5-0-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"11\" ><h3 class=\"widget-title\">Rostropovi\u010d &#8211; Battute 42 &#8211; 57<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-292-9\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R17.mp3?_=9\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R17.mp3?_=9\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R17.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R17.mp3<\/a><\/audio><\/div><\/div><div id=\"pgc-gb292-69d67996b0446-5-1\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-5-1-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"12\" ><h3 class=\"widget-title\">Rostropovi\u010d &#8211; Battute 61 &#8211; 64<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-292-10\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R18.mp3?_=10\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R18.mp3?_=10\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R18.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R18.mp3<\/a><\/audio><\/div><\/div><\/div><div id=\"pg-gb292-69d67996b0446-6\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb292-69d67996b0446-6-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-6-0-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"13\" >\t\t\t<div class=\"textwidget\"><p>Ben diversa, la Walewska\u00a0che, pur senza esagerare, non si lascia scappare le indicazioni dell&#8217;Autore.<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><div id=\"pg-gb292-69d67996b0446-7\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb292-69d67996b0446-7-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-7-0-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"14\" ><h3 class=\"widget-title\">Walewska &#8211; Battute 42 &#8211; 57<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-292-11\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W17.mp3?_=11\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W17.mp3?_=11\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W17.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W17.mp3<\/a><\/audio><\/div><\/div><div id=\"pgc-gb292-69d67996b0446-7-1\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-7-1-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"15\" ><h3 class=\"widget-title\">Walewska &#8211; Battute 61 &#8211; 64<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-292-12\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W18.mp3?_=12\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W18.mp3?_=12\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W18.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W18.mp3<\/a><\/audio><\/div><\/div><\/div><div id=\"pg-gb292-69d67996b0446-8\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb292-69d67996b0446-8-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-8-0-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"16\" >\t\t\t<div class=\"textwidget\"><p>Nulla da dire sulle due perfette esecuzioni delle &#8220;variazioni-commento&#8221; delle <em>battute 69 &#8211; 75,<\/em> e cos\u00ec pure sulla ripresa della <em>battuta 76,<\/em> pi\u00f9 dolce in Rostropovi\u010d, pi\u00f9 vibrante e scandita in Walewska;<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><div id=\"pg-gb292-69d67996b0446-9\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb292-69d67996b0446-9-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-9-0-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"17\" ><h3 class=\"widget-title\">Walewska &#8211; Battute 69 &#8211; 76<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-292-13\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W19.mp3?_=13\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W19.mp3?_=13\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W19.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W19.mp3<\/a><\/audio><\/div><\/div><div id=\"pgc-gb292-69d67996b0446-9-1\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-9-1-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"18\" ><h3 class=\"widget-title\">Rostropovi\u010d &#8211; Battute 69 &#8211; 76<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-292-14\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R19.mp3?_=14\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R19.mp3?_=14\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R19.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R19.mp3<\/a><\/audio><\/div><\/div><\/div><div id=\"pg-gb292-69d67996b0446-10\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb292-69d67996b0446-10-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-10-0-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"19\" >\t\t\t<div class=\"textwidget\"><p>e quando si giunge per la terza e ultima volta, agli archetipi di dolcezza triste sfumanti in soliloquio<em> (battute 87 &#8211; 95)<\/em> stavolta persino Rostropovi\u010d li esegue con qualche passione, che diventa sussiego nel soliloquio, quasi a ritrarsi nella mente.\u00a0Invece, naturalmente, la Walewska lascia cantare i precordi, e il tema assume un carattere drammatico e di ultima attesa.<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><div id=\"pg-gb292-69d67996b0446-11\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb292-69d67996b0446-11-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-11-0-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"20\" ><h3 class=\"widget-title\">Walewska &#8211; Battute 87 &#8211; 95<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-292-15\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W20.mp3?_=15\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W20.mp3?_=15\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W20.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W20.mp3<\/a><\/audio><\/div><\/div><div id=\"pgc-gb292-69d67996b0446-11-1\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-11-1-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"21\" ><h3 class=\"widget-title\">Rostropovi\u010d &#8211; Battute 87 &#8211; 95<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-292-16\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R20.mp3?_=16\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R20.mp3?_=16\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R20.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R20.mp3<\/a><\/audio><\/div><\/div><\/div><div id=\"pg-gb292-69d67996b0446-12\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb292-69d67996b0446-12-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-12-0-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"22\" >\t\t\t<div class=\"textwidget\"><p>Ma in <em>battuta 107<\/em> la <strong>cadenza<\/strong>: nobile, solare, esteriorizzata nell&#8217;interpretazione di\u00a0Rostropovi\u010d; accorata, autocommiserativa, interiorizzata quella di\u00a0Walewska; e successivamente, fino alla\u00a0<em>battuta 129,<\/em> Rostropovi\u010d si fa meditativo; Walewska invece diviene propositiva;<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><div id=\"pg-gb292-69d67996b0446-13\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb292-69d67996b0446-13-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-13-0-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"23\" ><h3 class=\"widget-title\">Walewska &#8211; Cadenza<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-292-17\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W21.mp3?_=17\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W21.mp3?_=17\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W21.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W21.mp3<\/a><\/audio><\/div><\/div><div id=\"pgc-gb292-69d67996b0446-13-1\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-13-1-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"24\" ><h3 class=\"widget-title\">Rostropovi\u010d &#8211; Cadenza<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-292-18\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R21.mp3?_=18\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R21.mp3?_=18\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R21.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R21.mp3<\/a><\/audio><\/div><\/div><\/div><div id=\"pg-gb292-69d67996b0446-14\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb292-69d67996b0446-14-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-14-0-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"25\" >\t\t\t<div class=\"textwidget\"><p>il successivo dialogo con l&#8217;orchestra <em>(battute 129 &#8211; 134)<\/em> vede una serenit\u00e0 quasi equivalente, pi\u00f9 estenuata ma pi\u00f9 concreta in Rostropovi\u010d che non condivide il carattere di &#8220;sogno&#8221; dato da Walewska alle <em>battute 135 &#8211; 144.<\/em><\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><div id=\"pg-gb292-69d67996b0446-15\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb292-69d67996b0446-15-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-15-0-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"26\" ><h3 class=\"widget-title\">Walewska &#8211; Battute 129 &#8211; 144<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-292-19\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W22.mp3?_=19\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W22.mp3?_=19\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W22.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W22.mp3<\/a><\/audio><\/div><\/div><div id=\"pgc-gb292-69d67996b0446-15-1\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-15-1-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"27\" ><h3 class=\"widget-title\">Rostropovi\u010d &#8211; Battute 129 &#8211; 144<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-292-20\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R22.mp3?_=20\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R22.mp3?_=20\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R22.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R22.mp3<\/a><\/audio><\/div><\/div><\/div><div id=\"pg-gb292-69d67996b0446-16\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb292-69d67996b0446-16-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-16-0-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"28\" >\t\t\t<div class=\"textwidget\"><p>Come pure, dopo la breve cadenza delle <em>battute 146-148,<\/em> avviandoci verso la fine, mentre in\u00a0Walewska si avverte chiaramente il senso di liberazione e il presagio di commiato, in\u00a0Rostropovi\u010d \u00e8 tutto rallentato e compitato, quasi cristallizzato, come se si andasse serenamente verso il &#8220;nulla&#8221;.<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><div id=\"pg-gb292-69d67996b0446-17\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb292-69d67996b0446-17-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-17-0-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"29\" ><h3 class=\"widget-title\">Walewska &#8211; Finale<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-292-21\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W23.mp3?_=21\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W23.mp3?_=21\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W23.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/W23.mp3<\/a><\/audio><\/div><\/div><div id=\"pgc-gb292-69d67996b0446-17-1\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-17-1-0\" class=\"so-panel widget widget_media_audio panel-first-child panel-last-child\" data-index=\"30\" ><h3 class=\"widget-title\">Rostropovi\u010d &#8211; Finale<\/h3><audio class=\"wp-audio-shortcode\" id=\"audio-292-22\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R23.mp3?_=22\" \/><source type=\"audio\/mpeg\" src=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R23.mp3?_=22\" \/><a href=\"https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R23.mp3\">https:\/\/musicaeconoscenza.it\/newp\/wp-content\/uploads\/2020\/03\/R23.mp3<\/a><\/audio><\/div><\/div><\/div><div id=\"pg-gb292-69d67996b0446-18\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb292-69d67996b0446-18-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-18-0-0\" class=\"widget_text so-panel widget widget_custom_html panel-first-child panel-last-child\" data-index=\"31\" ><div class=\"textwidget custom-html-widget\"><hr><\/div><\/div><\/div><\/div><div id=\"pg-gb292-69d67996b0446-19\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb292-69d67996b0446-19-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-19-0-0\" class=\"so-panel widget widget_sow-button panel-first-child panel-last-child\" data-index=\"32\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-atom-857739567c6a-292\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-center\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/musicaeconoscenza.it\/newp\/index.php\/il-commiato-di-anton-dvorak\/il-commiato-analisi-del-primo-tempo\/\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-left ow-button-hover\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-far\" data-sow-icon=\"&#xf359;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tAscolto comparato 1\u00b0 tempo\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div><\/div><\/div><div id=\"pgc-gb292-69d67996b0446-19-1\"  class=\"panel-grid-cell\" ><div id=\"panel-gb292-69d67996b0446-19-1-0\" class=\"so-panel widget widget_sow-button panel-first-child panel-last-child\" data-index=\"33\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-atom-857739567c6a-292\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-center\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/musicaeconoscenza.it\/newp\/index.php\/il-commiato-di-anton-dvorak\/analisi-del-terzo-tempo\/\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-far\" data-sow-icon=\"&#xf35a;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tAscolto comparato 3\u00b0 tempo\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In questa pagina \u00e8 possibile comparare le due versioni, osservando allo stesso tempo lo spartito della parte del violoncello Analisi delle due interpretazioni<\/p>\n<div class=\"link-more\"><a href=\"https:\/\/musicaeconoscenza.it\/newp\/index.php\/il-commiato-di-anton-dvorak\/analisi-del-secondo-tempo\/#more-292\" class=\"more-link\">Continue reading &#10142; <span class=\"screen-reader-text\">Ascolto comparato 2\u00b0 tempo<\/span><\/a><\/div>","protected":false},"author":1,"featured_media":0,"parent":228,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-292","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/musicaeconoscenza.it\/newp\/index.php\/wp-json\/wp\/v2\/pages\/292","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicaeconoscenza.it\/newp\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/musicaeconoscenza.it\/newp\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/musicaeconoscenza.it\/newp\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musicaeconoscenza.it\/newp\/index.php\/wp-json\/wp\/v2\/comments?post=292"}],"version-history":[{"count":17,"href":"https:\/\/musicaeconoscenza.it\/newp\/index.php\/wp-json\/wp\/v2\/pages\/292\/revisions"}],"predecessor-version":[{"id":448,"href":"https:\/\/musicaeconoscenza.it\/newp\/index.php\/wp-json\/wp\/v2\/pages\/292\/revisions\/448"}],"up":[{"embeddable":true,"href":"https:\/\/musicaeconoscenza.it\/newp\/index.php\/wp-json\/wp\/v2\/pages\/228"}],"wp:attachment":[{"href":"https:\/\/musicaeconoscenza.it\/newp\/index.php\/wp-json\/wp\/v2\/media?parent=292"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}